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Emily's Artworks
All pieces shown are available to purchase as prints unless otherwise noted. Email the artist to purchase prints and original artworks.
Print Pricing
Now through May 5th (to give you time for Mother's Day goodies) I'm offering a deal: buy one full price print, get any additional prints for 50% off!
Giclee fine art photographic prints:
4x6" $15 each plus $10 shipping
5x7" $25 each plus $10 shipping
6x9" $30 each and free shipping
8x12" $40 each and free shipping
10x15" $50 each and free shipping
12x18" $70 each and free shipping
16x24" $90 each and free shipping
That's 50% off any additional prints of any of my art included in the same order, PLUS FREE shipping on any orders over $30 total. All available print options are shown on the gallery tab on my website EmilyLittleExpressions.com
Join my mailing list (at the bottom of this page) for an ADDITIONAL 15% off your first order!
Women At Work
Women At Work, 2026, 24 x 36 in. acrylic on canvas.
$1,300, prints available
$1,300, prints available
Camel Road
Camel Road, 2024, 16 x 20 in. acrylic on canvas.
$300, prints available
$300, prints available
Get the Damn Dog
Get the Damn Dog, 2025, 16 x 20 in. oil on canvas.
SOLD, prints available
SOLD, prints available
Smoking Goldfish
Smoking Goldfish, 20 x 16 in. acrylic on canvas
SOLD, prints available
Prints available.
SOLD, prints available
Prints available.
Woman Lounging
Woman Lounging, 2025, 5 x 7 in. linocut print on paper
$30 each
This is Little’s very first linocut print, demonstrating her natural understanding of spatial relationships. She used a figure drawing she had done at one of her regular figure drawing sessions as inspiration to create this dramatic, luxuriously-lounging queen.
$30 each
This is Little’s very first linocut print, demonstrating her natural understanding of spatial relationships. She used a figure drawing she had done at one of her regular figure drawing sessions as inspiration to create this dramatic, luxuriously-lounging queen.
Get Me Off This Merry-Go-Round
Get Me Off This Merry-Go-Round, 2025, 5 x 7 in.
linocut print on paper
$30 each
linocut print on paper
$30 each
Nature is a Whore
Nature is a Whore, 2025, linocut print on paper, 5 x 7 inches
$30 each
This piece depicts a baby being born from the heavens and immediately fed to the dogs, a concept derived from a lyric from Nirvana’s “In Bloom” exploring the duality of birth and life’s beauty and cruelty.
$30 each
This piece depicts a baby being born from the heavens and immediately fed to the dogs, a concept derived from a lyric from Nirvana’s “In Bloom” exploring the duality of birth and life’s beauty and cruelty.
No Thank You Bag
No Thank You Bag, 2024, 10 x 10 in. oil and acrylic on canvas.
SOLD, prints available
Part of Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series.
SOLD, prints available
Part of Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series.
Thank You Bag
Thank You Bag, 2024, 10 x 10 in. oil and acrylic on canvas.
$150, prints available
Part of Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series.
$150, prints available
Part of Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series.
American Progress in the 21st Century
American Progress in the 21st Century, 2026, 15 x 11 in. watercolor on paper
$650, prints available
$650, prints available
Just Another Redaction
Just Another Redaction, 2026, 22 x 25 in. watercolor, tea, and coffee on cotton
$350, NO prints available
$350, NO prints available
Blue Beard
Blue Beard, 2021, 16 x 20 in. oil on canvas.
SOLD, prints available
SOLD, prints available
Baghawks
Baghawks, 2024, 20 x 10 in. oil on canvas.
SOLD, NO prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Edward Hopper’s famous “Nighthawks”, but added an even eerier element, placing plastic bags over the head of each figure, and one lone bag floating in the dark eve. The plastic bags only further complement Hopper’s depiction of solitude even amongst company, portraying the tendency of masking, alienating ourselves from human connection.
SOLD, NO prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Edward Hopper’s famous “Nighthawks”, but added an even eerier element, placing plastic bags over the head of each figure, and one lone bag floating in the dark eve. The plastic bags only further complement Hopper’s depiction of solitude even amongst company, portraying the tendency of masking, alienating ourselves from human connection.
Son of Man with Bag on Face
Son of Man with Bag on Face, 2024, 11 x 14 in. oil on canvas.
$180, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Rene Magritte’s famous “Son of Man”, replacing its focal point of the green apple with a plastic bag covering Magritte’s face. Just as Magritte created several renditions of paintings of “Man in a Bowler Hat”, Little made two versions of him, one where the bag is placed over the head of the man, and this one, where the man stands with the plastic bag blown onto his face by wind– one where the plastic bag is an accident, and perhaps a burden, and one where it is welcomed and even celebrated.
$180, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Rene Magritte’s famous “Son of Man”, replacing its focal point of the green apple with a plastic bag covering Magritte’s face. Just as Magritte created several renditions of paintings of “Man in a Bowler Hat”, Little made two versions of him, one where the bag is placed over the head of the man, and this one, where the man stands with the plastic bag blown onto his face by wind– one where the plastic bag is an accident, and perhaps a burden, and one where it is welcomed and even celebrated.
Son of Man with Bag on Head
Son of Man with Bag on Head, 2024, 10 x 10 in. oil on canvas.
$150, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Rene Magritte’s famous “Son of Man”, replacing its focal point of the green apple with a plastic bag over Magritte’s head. Just as Magritte created several renditions of paintings of “Man in a Bowler Hat”, Little made two versions of him, one where the man stands with the plastic bag blown onto his face by wind, and this one, where the bag is placed over the head of the man– one where the plastic bag is an accident, and perhaps a burden, and one where it is welcomed and even celebrated.
$150, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Rene Magritte’s famous “Son of Man”, replacing its focal point of the green apple with a plastic bag over Magritte’s head. Just as Magritte created several renditions of paintings of “Man in a Bowler Hat”, Little made two versions of him, one where the man stands with the plastic bag blown onto his face by wind, and this one, where the bag is placed over the head of the man– one where the plastic bag is an accident, and perhaps a burden, and one where it is welcomed and even celebrated.
The Persistence of Plastic Bags
The Persistence of Plastic Bags, 2024, 14 x 11 in. oil on canvas.
$280, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Salvador Dali’s famous “The Persistence of Memory”, replacing melting clocks with the all-too-familiar image of plastic bags polluting not just our world, but even our history. The contrasting sights of the high-brow fine art and mass-produced litter beg the viewer to ask of themself where they draw the line of beauty, as well as personal responsibility.
$280, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Salvador Dali’s famous “The Persistence of Memory”, replacing melting clocks with the all-too-familiar image of plastic bags polluting not just our world, but even our history. The contrasting sights of the high-brow fine art and mass-produced litter beg the viewer to ask of themself where they draw the line of beauty, as well as personal responsibility.
The Lovers II, with Plastic Bags
The Lovers II, with Plastic Bags, 2024, 14 x 11 in. oil on canvas.
$160, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Rene Magritte’s famous “The Lovers II”, replacing their original white cloth bags with plastic grocery bags over their heads. The plastic bags only add to the mystery of Magritte’s already perplexing piece, provoking the viewer to form their own conclusion about the fate of the two lovers.
$160, prints available
Emily Little’s original "Do You Ever Feel Like A Plastic Bag" series includes a whimsical disturbance of famous paintings. Here, Little has recreated Rene Magritte’s famous “The Lovers II”, replacing their original white cloth bags with plastic grocery bags over their heads. The plastic bags only add to the mystery of Magritte’s already perplexing piece, provoking the viewer to form their own conclusion about the fate of the two lovers.
I’ve Never Seen American Beauty
I’ve Never Seen American Beauty, 2024, 5 x 7 in. oil and acrylic on wood.
$100, NO prints available
In Little’s time creating her original "Do You Ever Feel Like A Plastic Bag" series, she has received countless remarks regarding the film “American Beauty”, which she has still never seen. Plastic bags can speak to the beauty in the mundane, they can portray a dystopian future of waste, or they can be viewed as evidence of our human race’s time on this earth, or even our values– no matter how you interpret the bags, their imagery stands alone. Viewers, upon discovering Little’s unfamiliarity with the movie, often express shock and prompt the artist with the question “why paint the plastic bags, then?”, but Little is shocked that plastic bags have become so strongly correlated with this film that it has claimed the image entirely, unable to escape it and take on new meaning.
$100, NO prints available
In Little’s time creating her original "Do You Ever Feel Like A Plastic Bag" series, she has received countless remarks regarding the film “American Beauty”, which she has still never seen. Plastic bags can speak to the beauty in the mundane, they can portray a dystopian future of waste, or they can be viewed as evidence of our human race’s time on this earth, or even our values– no matter how you interpret the bags, their imagery stands alone. Viewers, upon discovering Little’s unfamiliarity with the movie, often express shock and prompt the artist with the question “why paint the plastic bags, then?”, but Little is shocked that plastic bags have become so strongly correlated with this film that it has claimed the image entirely, unable to escape it and take on new meaning.
The Awakening
The Awakening, 2020, 12 x 16 in. oil on canvas.
$300, prints available
$300, prints available
Do You Ever Feel Like A Plastic Bag
Do You Ever Feel Like A Plastic Bag, 2024, 48 x 24 in. oil and acrylic on canvas.
$380, NO prints available
This is the piece that began Little’s original "Do You Ever Feel Like A Plastic Bag" series, beginning as a concept of finding beauty in something as ugly and disappointing as a littered plastic bag. Little explored this concept further, playing with the plastic bags as imagery that takes on various meanings, from appreciating the mundane, to acting as an omen of a dystopian future, and even acting as a metaphor for our society’s values. The meaning behind the bags is as fluid as the bags themselves, blown around endlessly by the wind.
$380, NO prints available
This is the piece that began Little’s original "Do You Ever Feel Like A Plastic Bag" series, beginning as a concept of finding beauty in something as ugly and disappointing as a littered plastic bag. Little explored this concept further, playing with the plastic bags as imagery that takes on various meanings, from appreciating the mundane, to acting as an omen of a dystopian future, and even acting as a metaphor for our society’s values. The meaning behind the bags is as fluid as the bags themselves, blown around endlessly by the wind.
Getting Around
Getting Around, 16 x 20 in. acrylic on canvas
$200, prints available
$200, prints available
Pondering
Pondering
9 x 12 inches
Gouache and oil on canvas board
2025 Collaboration between Emily Little and Umber Monza (U.M.M.)
$350, prints available
9 x 12 inches
Gouache and oil on canvas board
2025 Collaboration between Emily Little and Umber Monza (U.M.M.)
$350, prints available
Cloaking Vulnerability
Cloaking Vulnerability, 2023, 48 x 24 in. acrylic on canvas
$400, NO prints available
“Cloaking Vulnerability” depicts a woman in a series of three poses, cloaked in shadows, only the edges of her silhouette visible through colored lights reflecting off her skin. Her poses tell a story of trauma, beginning in an open and vulnerable position, unafraid to face the world, to start a new journey, to just be. Throughout her journey, the woman becomes more closed off, she gains new fears and insecurities, drawing inward on herself. In the end, she begins to understand the balance that she must reach between complete vulnerability and self-preservation, leading her to experiment with where she must draw the lines, as we all must do.
$400, NO prints available
“Cloaking Vulnerability” depicts a woman in a series of three poses, cloaked in shadows, only the edges of her silhouette visible through colored lights reflecting off her skin. Her poses tell a story of trauma, beginning in an open and vulnerable position, unafraid to face the world, to start a new journey, to just be. Throughout her journey, the woman becomes more closed off, she gains new fears and insecurities, drawing inward on herself. In the end, she begins to understand the balance that she must reach between complete vulnerability and self-preservation, leading her to experiment with where she must draw the lines, as we all must do.
Safety First
Safety First, 2024, 18 x 24 in. acrylic on canvas.
$450, prints available, full series of 5 paintings available for $1,100
Little took the reference picture for this piece while working her day job as a safety manager, capturing an image of a safety violation where a scissor lift was left extended in front of a doorway. Little immediately fell in love with the image’s composition and felt the need to turn a near-miss into a beautiful work of linear art.
The contrast of the happy, upbeat 80s-esque color palette paired with the current realities of living in the 21st century, coping only by ignoring or forgetting harsh realities with which we are constantly faced, creates themes of duality and nuance, for which Little am a strong advocate.
$450, prints available, full series of 5 paintings available for $1,100
Little took the reference picture for this piece while working her day job as a safety manager, capturing an image of a safety violation where a scissor lift was left extended in front of a doorway. Little immediately fell in love with the image’s composition and felt the need to turn a near-miss into a beautiful work of linear art.
The contrast of the happy, upbeat 80s-esque color palette paired with the current realities of living in the 21st century, coping only by ignoring or forgetting harsh realities with which we are constantly faced, creates themes of duality and nuance, for which Little am a strong advocate.
Free Ad Space
Free Ad Space, 2025, 16 x 20 in. acrylic on canvas.
$300, prints available, full series of 5 paintings available for $1,100
"Free Ad Space", was made using a reference picture of Charlotte's Wells Fargo Building before its recent change where they have marred our beautiful skyline with their unsightly logo.
The contrast of the happy, upbeat 80s-esque color palette paired with the current realities of living in the 21st century, coping only by ignoring or forgetting harsh realities with which we are constantly faced, creates themes of duality and nuance, for which Little am a strong advocate.
$300, prints available, full series of 5 paintings available for $1,100
"Free Ad Space", was made using a reference picture of Charlotte's Wells Fargo Building before its recent change where they have marred our beautiful skyline with their unsightly logo.
The contrast of the happy, upbeat 80s-esque color palette paired with the current realities of living in the 21st century, coping only by ignoring or forgetting harsh realities with which we are constantly faced, creates themes of duality and nuance, for which Little am a strong advocate.
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